1993, Painting FRAGONARD - THE LOVE LETTER |
1993, Painting FRAGONARD - THE LOVE LETTER 15-chetrum Bhutan MN H
Text: FRAGONARD - THE LOVE LETTER 15-chetrum Bhutan
Condition: MNH
Title: Painting
FRAGONARD - THE LOVE LETTER
Face value: 15 Ch
Country/area: Bhutan
Stamp Currency: Ch
Country/area: Bhutan
Year: 1993
Set: 1993
Painting
Stamp number in set: 1
Basic colour: Multi-coloured
Exact colour:
Usage:
Franking
Type: Stamp
Theme: Painting FRAGONARD - THE LOVE LETTER
Michel number:
Stanley Gibbons number:
Printing: Offset
Printing office: Bhutan Post
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Jean-Honore Fragonard
As charming and witty as his paintings,
Jean-Honoré Fragonard was one of the most prolific artists of his time,
producing more than 550 works during his career.
Serving as an apprentice to Chardin and
Boucher, two of the premier Rococo artists he won the Prix de Rome and attended
the French Academy. Fragonard's work came with a high pedigree and prestige and
as one of the last artists of the Rococo, his name is almost synonymous with
this frivolous, erotic, and decadent movement.
Reputedly one of the most prolific
painters of the 18th century, if not of all time, Fragonard had a feverish
output of varied subject matter. From portraits to scenes of pastoral, erotic,
or domestic appeal he covered a wide range of themes.
Fragonard's work is easily recognizable
due to the lightness and frivolity of the subject matter, the deft touch of the
brushwork, and the soft, carefree lighting schemes.
Fragonard was a product of the later
stages of the Rococo era, a time characterized by hedonistic freedom and a
pursuit of all things aesthetically pleasing. The Rococo era originated from
the French decorative style Racaille meaning 'decorative shell and rock work'.
It primarily stemmed from the
architecture and furniture style that was popular amongst the bourgeois and new
rising wealthy class in France who wanted works that reinforced their wealth
and pleasure in all their beauty and splendor.
The Palace of Versailles was the ideal in
decadent Rococo architecture, informed by ideas of the French Enlightenment,
before the French Revolution came about.
A master of the domestic scene, the
pastoral landscape and tongue-in-cheek eroticism of the boudoir painting,
Fragonard had his share of admirers and wielded a strong influence over future
masters of the art world, particularly the Impressionists.
Impressionism as a movement bears
similarities to the Rococo in its emphasis on fleeting moments of beauty,
sudden impressions, and pleasure.
Although for a time after the Revolution
Fragonard disappeared from the history of art, his wittily airy style cropped
up again years later with a new legion of imitators and by the end of the 19th
century there was a rediscovery of Fragonard and other Rococo artists.
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