1993, Painting FRAGONARD - THE LOVE LETTER 1-chetrum Bhutan MN H

1993, Painting FRAGONARD - THE LOVE LETTER 

1993, Painting FRAGONARD - THE LOVE LETTER 1-chetrum Bhutan MN H

Text: FRAGONARD - THE LOVE LETTER 1-chetrum Bhutan
Condition: MNH

Title:   Painting FRAGONARD - THE LOVE LETTER

Face value:     1 Ch

Country/area:                  Bhutan

Stamp Currency: Ch

Country/area:            Bhutan

Year:   1993

Set:     1993 Painting

Stamp number in set:           1

Basic colour:  Multi-coloured

Exact colour: 

Usage:            Franking

Type:   Stamp

Theme: Painting FRAGONARD - THE LOVE LETTER

Michel number:        

Stanley Gibbons number:    

Printing:         Offset

Printing office: Bhutan Post

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Jean-Honore Fragonard

As charming and witty as his paintings, Jean-Honoré Fragonard was one of the most prolific artists of his time, producing more than 550 works during his career.

Serving as an apprentice to Chardin and Boucher, two of the premier Rococo artists he won the Prix de Rome and attended the French Academy. Fragonard's work came with a high pedigree and prestige and as one of the last artists of the Rococo, his name is almost synonymous with this frivolous, erotic, and decadent movement.

Reputedly one of the most prolific painters of the 18th century, if not of all time, Fragonard had a feverish output of varied subject matter. From portraits to scenes of pastoral, erotic, or domestic appeal he covered a wide range of themes.

Fragonard's work is easily recognizable due to the lightness and frivolity of the subject matter, the deft touch of the brushwork, and the soft, carefree lighting schemes.

Fragonard was a product of the later stages of the Rococo era, a time characterized by hedonistic freedom and a pursuit of all things aesthetically pleasing. The Rococo era originated from the French decorative style Racaille meaning 'decorative shell and rock work'.

It primarily stemmed from the architecture and furniture style that was popular amongst the bourgeois and new rising wealthy class in France who wanted works that reinforced their wealth and pleasure in all their beauty and splendor.

The Palace of Versailles was the ideal in decadent Rococo architecture, informed by ideas of the French Enlightenment, before the French Revolution came about.

A master of the domestic scene, the pastoral landscape and tongue-in-cheek eroticism of the boudoir painting, Fragonard had his share of admirers and wielded a strong influence over future masters of the art world, particularly the Impressionists.

Impressionism as a movement bears similarities to the Rococo in its emphasis on fleeting moments of beauty, sudden impressions, and pleasure.

Although for a time after the Revolution Fragonard disappeared from the history of art, his wittily airy style cropped up again years later with a new legion of imitators and by the end of the 19th century there was a rediscovery of Fragonard and other Rococo artists.